Monthly Archives: July 2010

Simplicity can save us

If I had to sum up what I’m trying to do with my life in one word, simplicity would be a strong contender. I am by no means going for asceticism: on the contrary, I’m finding that paring down leads to a richer experience of what’s left. Somehow, giving up things makes me a better hedonist! Much like I was just saying about the TV, whittling away the unnecessary leaves so much room for what’s truly important to bloom.

One of the most important lessons I’ve learned (okay, am still learning–but at least now I’m actually listening!) is that you can’t do it all. Letting go of aspirations and dreams and plans is still one of the hardest things I have to do, but it’s essential. You can’t swim as smoothly through life with all those never-to-be-realized plans hanging on like barnacles. They–and their attendant guilt and should-haves and oh-why-didn’t-I?–are a drag, literally. Chip ‘em off, kiss ‘em goodbye, and sail smoothly.

I’ve always loved the Shaker song “Simple Gifts”:

‘Tis the gift to be simple, ’tis the gift to be free,
‘Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
‘Twill be in the valley of love and delight.
When true simplicity is gain’d,
To bow and to bend we shan’t be asham’d,
To turn, turn will be our delight
‘Till by turning, turning we come round right.

It’s a beautiful little melody, easy to sing, and I think I’ve always resonated with its equating simplicity with freedom.

To whit: one of my ongoing household projects is the gradual elimination of my of our electronic appliances. It’s supremely silly–not to mention morally repugnant–that we blow apart entire mountains and devastate diverse ecosystems and destroy people’s lives just so we can flip a switch and let our coffee brew while we do something else. My small lifestyle changes won’t end our reliance on coal, but I can limit my participation in it.

It comes down to the question of a balanced equation: is the cost on one side supported by the gain on the other? Are dead miners and dead fish and dead forests a price I’m willing to pay for my electricity? My answer is no, and it’s why I’m replacing most of our plug-in devices with analog alternatives, and why our entire home will eventually be off-grid.

Perhaps I need to add another contender to my word list: balance. It goes hand-in-hand with simplicity, and it gets more to the heart of the matter.

Despite the engineering marvels and industrial wonders behind the processes, most of what powers our modern lives is inherently wrong-headed. We’ve designed so many systems that are unworthy of our ingenuity. Cars, in the way we use them (making 82% of trips five miles or less by automobile) are a deeply inelegant solution to our transportation question. Look at the price we have chosen to pay for a little convenience: the pollution, the spills, the sprawl, the asphalt heat sinks, 40,000 killed and 3.5 million injured every year in crashes, the drain on personal finances, the wars and political jockeying for access to oil… the list goes on.

The car is an ingenious device, and motorized transportation certainly comes in handy. My job wouldn’t exist without it. I’m about to rent a truck to move my belongings 1200 miles away. If not for the car, day hiking would be impossible, given how far away the trailheads are. Until I get a work bike, buying dogfood or going to the laundromat means using a car. But for every person over the age of 16 to have their own? To use it a dozen times every day in 15 or 20 minute increments? It just doesn’t add up. The cost far exceeds the benefit.

We are an intelligent, crafty, curious species by design. That mass of grey jello inside your cranial vault is there to be used, and yet we have complacently accepted–and indeed embraced–technology that is killing us.

So maybe there’s another word I’d put on the list: right. I’m not talking about being “good”; this isn’t about sin or religion or heaven or hell. I’m talking about choice, what actions we choose and how they affect us and everything around us. There is no punishment for wrong action, only very clear consequence. And any rational person can look at the consequence of how we modernday Westerners live our lives and see that there is something fundamentally flawed in our choices.

I’m trying to set up a difficult distinction, and I’m not entirely sure it’s a clear or even valid one. But I think it’s important to get away from notions of doing things simply to avoid getting in trouble and instead choose correct actions simply for their own sake. A code, if you will.

(At 1:33–”The code of the warrior–you think it’s noble.” “No, I think it’s correct.”)

But see how quickly this gets heavy? Unwieldy, even? Ponderous and serious and, well, a little boring? Already I’m thinking I shouldn’t click “Publish” for this post, mainly because it’s starting to make me sound like a pompous, guilt-stricken, navel-gazing wet blanket. Consider:

The problem is big, and our choices, individually, have an exceedingly small impact.

It’s easy and in vogue right now to make oneself sound important or thoughtful or deep just by talking in serious tones about all this–which makes any conversation in this vein sound automatically just a little bit hollow.

Sincerity is always dicey. Though universally revered, no one actually wants to be Mother Theresa, and Pollyanna isn’t generally used as a flattering label. I suppose it’s easier to ridicule good behavior–then we can all feel a little better about not doing it.

But you know what? Today my coffeemaker is going to Goodwill, and the tea kettle and the Chemex will take its place. It wasn’t an environmental choice, though it touches on environmental considerations, and thus can be the entree into a much larger discussion. All in all, though, the net benefit of the change is negligible (after all, I’m still using it to brew beans from thousands of miles away). Mostly, it’s one small step to a less cluttered existence.

Call me crazy, but I think that sort of simplicity can save us. The simpler things get, the quieter they get. The quieter things get, the more space we have to be thoughtful, to be mindful. And mindful people, I believe, make better–more correct–choices. Comes with the territory.

So riding a bike or using a non-electric appliance won’t save the world. What they will do is give you a little shift in perspective–and from that new vantage point, you just might see a better way.

Tinkertown

Tinkertown is the late Ross Ward’s life work, called a “museum”, but more accurately a diverse, rambling, sometimes overwhelming collection of whimsical memorabilia, toys, tools, folk art, and down-home wisdom. It’s a gorgeous mountain of cultural flotsam, begging to be picked over.

Scattered amongst the antique wedding cake figurines, miniature Wild West towns, hay knives, circus clowns, and fortune-telling machines are quotes from all manner of cultures and sources exhorting the reader to be happy, to love, to play, to laugh. They’re all painted in cheerful colors and bold capitals, and the occasional misspelled word only adds to their charm.

There are also little posted reminders throughout the museum, painted on wood or paper, that I did all this while you were watching TV!

It’s actually a pretty profound and damning statement, when you consider the scope of the work at Tinkertown and the statistics on teevee consumption in America: according to one report, the average person is watching 35 hours of television every week this year. Thirty-five hours every week. That’s an astonishing amount of time to sit on your ass, allowing yourself to be groomed by marketeers and fearmongers. What else could be done with that time?

Our TV had been on its last legs for quite some time, and earlier this summer it finally succumbed to whatever malady had been plaguing it. I carted it off to the electronics recycling place and paid a paltry $5 to keep the heavy metals and other sundry oogies out of the landfill. I craigslisted the entertainment center, collected the dust bunnies buffalo that were roaming behind it, and set about feeling just a little smug about my TV-free home.

But.

But, oh the horror, I found myself going through teevee withdrawal.

Now, I didn’t grow up watching much TV, and I’ve never had anything like a 35-hour-a-week habit. But after the last move, when the incredulous cable guy (who just couldn’t believe we only wanted internet access and nothing else) took it upon himself to hook it up anyway, I have enjoyed the heck outta some Discovery Channel and HBO (here’s how out of touch I am–since when is HBO “basic cable” material?). I still can’t bear most (or any, really) of the ubiquitous “reality” programming, and I compulsively mute all commercials (I’ll youtube the Old Spice man when I want a giggle, thank you very much), but I had become, nevertheless, a regular watcher of ye old television.

Oh how good our wrinkly little cerebrums are at self-deception. I still thought of my crunchy granola credentials as intact, and my mind pure and unpolluted by the idiot box. Imagine then my surprise when my palms started itching for that remote control once the TV was no more.

I think I went through all five stages of grief, followed by an acute attack of ideological embarrassment.

And then I got over myself. It’s TV. It’s designed to be addictive, and I fell for it, just a little. For the first week post-TV, I missed it. It was so easy to come home from a bone-crushing 13-hour shift and just turn off my brain. I plugged in the TV, unplugged my intellect, and let myself be a passive entertainment receptacle. It was pleasing in the way that fast food is satisfying when you’re ravenously hungry and there are no other options for sustenance in sight: it always seems like a better idea going in than it does coming out. After I turned off the TV and made my way to bed, it always occurred to me that I’d completely wasted my entire evening. Instead of relaxing in a way that was healthy for me–meditating or swinging in the hammock or sipping a cup of tea–I’d packed my eyeballs and my brain with cotton candy–seemingly innocuous fluff that would eventually rot holes in my head.

Sound a bit over the top? I don’t think so.

A chief feature of our modern life is our blindness to the over- in overstimulated. We don’t really appreciate how powerfully we are affected by the crap we eat, the crap we watch, the crap we hear, and the crap we do. In much the way I didn’t really grasp how sick wheat was making me until I stopped eating it, and how aggro driving made me until I did far less of it, and how vapid and inflammatory most “news” was until I stopped watching it, I’ve only really appreciated how intrusive the TV was when I didn’t have one. I like the quiet in my house now, but, more importantly, I like the quiet in my head.

I’m not altogether demonizing the television. We’ll probably buy another one eventually, and my Netflix queue still gets a regular workout (381 flicks and counting!). But when that happens, I’ll be more aware of how easily even the smuggest of us can get pulled into the TV time suck. Right now, I’m enjoying having more time to write, to read, to plan my next sewing project, to hatch plots and cultivate dreams… to live my own life, not watch someone else’s idea of a life.

Welcome to my Tinkertown.

Try, Work

I don’t write much about the day job in these pages, for many reasons:

One reason: If it’s war stories you want, there are plenty of other Paramedic blogs out there, rife with blood and guts and strange stories. The tall tales I have to tell you’ll only hear in person and over a pint.

Another: It’s hard to write about calls and preserve my patients’ privacy, so I generally don’t (with only the occasional, still-anonymous exception).

And: It’s even harder to write about the sort of calls that get me excited without causing my readers to go faint with ennui as I try to explain the implications of a particular heart rhythm or assessment finding.

Neville listened to Paramedics talk shop for just a little too long.

Another one: The politics of the system are dirty enough and aired in plenty of other places–and I bang my head against that particular brick wall often enough while on the clock; I have no desire to do it on my own time.

More reason: This may be the internet, but I’m not in the business of trashing people in my writing. It’s why I don’t choose Dick Cheney, Lars von Trier, or Bill O’Reilly as topics, though all are richly deserving of sharp criticism and/or swift and repeated groin kicks. It’s also a good reason to avoid writing about some of the people I encounter in my line of work. If you can’t say anything nice… you know the rest.

There are a lot of reasons.

And yet.

And yet, faced with the prospect of a hiatus from the business (it’s a time-consuming process, transferring a license to a new state, and I’m wading into a much smaller job pool. It may take time for something to come open), I’ve been reflecting on what it is that makes me keep doing what I do. (Incidentally, this might be just the sort of thing one would share with someone who is considering going to P school…)

No other job I’ve had compares as an intellectual challenge. The sheer breadth of the knowledge required to do this job well is astounding. Think of all the ways the human body can be sick or injured, all the medications we pump into it to treat those problems, and all the complications said illnesses, injuries, and medications can cause. This is the well a Paramedic draws from. It is a deep one.

The work is dynamic. Remember the “neither rain nor sleet nor snow” promise of a certain government agency that is cutting services right and left to remain afloat? That’s us, and then some. You work at all hours, in all kinds of weather, in every environment… and you never know what will happen. Pumping on someone’s chest one call, dodging a fist on the next. Or just holding a hand, or applying a band-aid, or answering a question. Navigating more tempo changes than a conductor at a Haydn festival. I would say there’s never a dull moment, but that’s not true. Sometimes there are lots and lots of dull moments; sometimes you yearn for dull like Sisyphus yearns to coast downhill.

I’ll never get rich, but I can pay my rent and buy exotic produce to boot. There’s no prestige, in case you were wondering. You are occasionally mistaken for a security guard, but lots of places give you free coffee, so it evens out. You become a champion napper, able to suck hours of refreshment from those five minutes you nodded off between calls. You make friends with your alarm clock, because you have to. You find how terribly interesting the most unassuming people can be. You see parts of your city you would never, ever have ventured in to. There are sunrises too glorious for words, and you are the only person you know awake to see them.

But, maybe most importantly, being a paramedic has been among the most important, deeply personal work that I have done. Dare I say it has been part of my own spiritual journey? I don’t know if that is the most accurate way to put it–I’m not religious, and we’re not talking about god here (big G or little, singular or plural), but we are touching on the matter of salvation. On love. On deep compassion for those around us. I read Eat Pray Love on the recommendation of someone I respect, and questions of class and race and privilege aside, I enjoyed the story for what it was–but I couldn’t help but thinking, Sure, it’s easy to love the world from an ashram. Try doing it when a sixty-year-old grandmother high on crack and meth is trying to scratch your eyeballs out, in front of her grandkids. I’m an imperfect soul trying to love an imperfect world, and EMS is a unexpectedly perfect platform for that work–as a rule, you see people on their worst days, and without the usual filters. Sometimes the view is hard to bear.

Yoda be damned, under some circumstances the try is more important than the do.

It is a challenge, every day, to see the blessing in what I do. But I keep trying–sometimes succeeding, sometimes not–to remind myself about how I am rewarded and how I am able to be of use just by doing this work. It is a path to be grateful for, however rocky it may get.

The Long Goodbye

There are two main explanations for my being scarce around these pages recently. One, it’s been too hot to think. Do not discount the significance and the validity of this statement. The evaporative cooler is a beautiful thing when the desert behaves like a desert, hot and leather-dry. When it behaves more like a dusty swamp, those lovely west-facing windows and heat-absorbing adobe quickly turn your house into a sauna. Brains don’t work well in saunas–or mine doesn’t, at any rate. I’m sure there’s some scientific explanation for that somewhere.

And two, in these final weeks, we’ve been scrambling to tick items off our “things to do before we leave NM” list. It’s been a bittersweet exercise, each amusement reminding me we’re that much closer to leaving this place for good. This makes me rather terminally distracted (“This is your brain. This is your brain on moving. Any questions?”).

But the weather finally broke here in the high desert, and every living thing around is sighing at the reprieve. We rode our bikes in the rain on Thursday night, squinting against the drops and whooping like little kids. Today I turned the fans off for the first time in weeks, and the quiet in my house is downright expansive. Except for the occasional passing car, it’s strangely still. The cool, gray day adds to that stillness, and I feel more like I’m relaxing in my house, and less like I’m just hiding from the hot, mad city outside.

This is weather that calls for reflection, for sitting quietly. I haven’t even turned on music today, out of deference to this quiet. Today I’m thinking about leaving. The move date is now so close that we’re starting to notice all the little lasts that are accumulating–the last time we’ll eat at this restaurant, the last time we’ll see this band play, the last time we’ll hike this trail.

This goodbye is both a process and an event. I have, in many ways, been saying goodbye to this city all along. I never intended to live here for so long, and I never expected to love it like I do. Very little has gone according to plan over the last decade, but it’s somehow all turned out better than I’d imagined. A life philosophy, that: plan the best you can, but leave room for revision by someone or something bigger and wiser than you.

In the coming weeks, when the packing starts in earnest, I might be here less than I’d like. I’m trying to train myself to make writing another refuge–but usually I default to the hammock or a nap. Old habits, and all that.

In every goodbye, there is another hello. In this, a goodbye to the place that has shaped my adulthood, and a hello to what I plan to do with it. The words will be there once my brain gets un-addled by heat and by moving trucks, and my plans for them are desert-wide.

One more of those little goodbyes:

My name is Jessie, and I’m a poet.

...

A reader commented on my last poem here, and I’ve been thinking for days about how–and, yes, whether–to respond.

First, a confession: I have a hard time claiming poetry. “I write poetry.” “I wrote a poem.” These statements make me think first of sad, florid lines laid down by depressed teenagers wearing too much eyeliner. They make me think next of poetry readings I’ve been to where the reader
uses her best
Maya. Angelou. Voice.
reads in a stately
tempo
and really
emphasizes
line breaks
as if
PAUSE
were
an emotion.

(You’ve been to those readings, right? Ugh.)

Yes, it’s unfair. Yes, it’s not entirely accurate. But it is, nevertheless, my enduring prejudice. And so it’s hard for me to really even talk about the poetry that I write without experiencing some sheepish reflex.

But my hesitancy to answer a direct question is rooted in more than this vestigial gag order on my own creative voice. What made me uncomfortable about the question, I realized, was that it felt too much like a criticism. And I’m not talking issues of taste or preference here–it wasn’t that the question slyly called my poem bad. It called it ineffectual. I had failed to communicate the basic message of the piece, and being found inept is far more damning than being found unbeautiful.

I’m not from the Gertrude Stein school of poetry. I want to play with the language in my poems, but I also want them to communicate some essential core of meaning. Sometimes that’s a story; sometimes it’s something more indeterminate but just as important. Kernals, fully formed.

Is it enough for me to be satisfied with the product of my work?

It’s like the tree/forest question: Is a poem good if it’s not understood by anyone but the author? Is good an absolute? A consensus? An isolate?

I’m not sure these are questions I can answer. But in the interest of being understood and of appreciating my reader’s time in coming here, I’ll answer this much:

Yes, she has. Google the title of the poem.

Her work? Well, that’s the crux, isn’t it? She was at work, in the sense that she was on the clock in an office building when the bullets came. She was hard at work in her time with me, processing the truth of the hole in her flesh. And I could imagine the work to come after, once the body count was final, and names and faces assigned to the statistics.

A poem can tell you about a feeling. A poem can tell you about a moment in time, a thing that happened, the person who was there. But so can a story, a novel, a newspaper article. The poem is all this, distilled. Something sharp and fine, beautiful in its simplicity, its accuracy, its wholeness.

If I can capture that, then I’ve done my job.

More music…

(…and if you have to ask why, you’re in the wrong blog.)

In my first year of college, I graduated from janitorial services to security, and I spent the last semester of freshman year patrolling the campus at odd hours, checking locks and looking for nonexistent boogie men. It was my first–and sadly, far from my last–experience with the graveyard shift, and working nights made me feel as thin and used-up then as it does now.

One worthwhile thing to come out of those days, however, was my enduring love affair with Darrell Scott. Aloha From Nashville was hot off the presses in the spring of 1997, and one morning before dawn I heard this cut, which fixed me to my seat, made me late for the AM rounds, and cemented me as a fan forever:

In truth, Darrell needs to fire his producers and put out an acoustic album, because no disk he’s released to date does his songwriting justice. If he’s in your neck of the woods, see him play live. Do not question this; just do it.

He who has ears

Ever noticed that sometimes there’s a direct correlation between band quality and the dearth of good youtube clips of them?

Classic, despite the somewhat less than pristine sound quality:

Emcore

I have been shot.

Her voice deliberate
calm, she tests the weight
of it in her mouth.

Again she says
the same words
to make them true
or to catch them in their own lie,
which one isn’t clear
and
her eyes, the
wide, wild, veiled
calm of them
already far from
this blood these sirens
though they meet mine
are no help.

I have been shot
and I’m reminded of my
first taste of
umeboshi
how it was both an
instant, visceral reaction and
a slow intellectual puzzle:

These neurons speak in nothing
but syllables and punctuation
while these try to make
up out of down
right themselves
find some orientation now
that all the landmarks have
exploded.

Making sense.
Just sensing.

Grasping for some why and how
inside the pain and the echo
of shots.

Grasping the sheet
my arm
herself
white-knuckling through it
not even yet ready for tears
though surely those will come.

I have been shot.

It isn’t a question
but I give the only answer I have:

Yes

and I touch her hair
then let her do her work.

Monday Meditation

Today, the first ripe peach from the tree outside my door. With a quick facial contortion I kept its warm juice off my shirt.

Today, the first survivor pulled, bleeding, from the killing ground. Probably only now feeling the full weight of it.

Little things bump against big things, and in the spaces between we make our lives. Astonishing and absurd. Simple, inscrutable, and beautiful.

[There is a] kind of all-embracing universality evident in Mother Teresa’s prayer: “May God break my heart so completely that the whole world falls in.” Not just fellow nuns, Catholics, Calcuttans, Indians. The whole world. It gives me pause to realize that, were such a prayer said by me and answered by God, I would afterward possess a heart so open that even hate-driven zealots would fall inside… [My] sense of the world as a gift, my sense of a grace operative in this world despite its terrors, propels me to allow the world to open my heart still wider, even if the openness comes by breaking—for I have seen the whole world fall into a few hearts, and nothing has ever struck me as more beautiful.
~David James Duncan

What kind

Not too long ago, I invited a friend to a show. “What kind of music is it?” he asked. I didn’t have a great answer, but fumbled my way through an explanation as best I could: “They’re kind of goth-Americana, like alt.county-pop on a bad day. You know, with guitars and a hint of banjo, all layer-caked over intelligent lyrics. The kind of music that might compel one to drink whiskey and be torn as to whether she wanted to dance or cry. Or both.”

I don’t know if this description was helpful.

The friend declined my invite.

But it opens a larger question, about genres and types and labels. How often are you asked–usually by someone you’re getting to know, but there are other circumstances under which this comes up–what sort of music you like? Or maybe the question is more movies or people or books or paint colors, but the query at the heart of them all is the same: what sort of person are you?

I’ve never had an easy time answering these kinds of questions. “It depends…” is where I usually start, with an answer that strings together so many adjectives and caveats as to be near-meaningless.

The real truth of it is that I can fall in love with damn near anything or anyone if it/they are written well or sound right or feel in sync with me. It’s nebulous and variable and nonetheless important for its hard-to-pin-down-ness. You know what I’m talking about.

Which brings us to the slice-of-life genre. It’s broad and vague, and long co-opted by the saccharine Norman Rockwell wannabe types, but its allure holds, for several reasons: one, real and honest are virtues, however badly they’ve been used and abused by hack writers, and nothing else can so quickly get to the heart of a situation as a crystal-clear look at the right moment of it. It’s like life distillation. Two, the longer I live, the more I’m convinced that this is what we are here for–not grand gestures or monumental accomplishments, but rather a life lived well in its particulars, no matter how trivial they may seem to others.

And so it is that I can describe one perfect happiness, even in the face of plans unfinished and dreams unrealized (for there are many ways to happy, just as there are ways to be miserable, and the fact that neither looked like what you thought they would doesn’t make them any less true). Today, that is this:

The sky today is a floor pounded by the feet of a thousand dancers. It is churned, rhythmic, rolling…even though it doesn’t move. It threatens rain, but doesn’t deliver. It is that girlfriend you never quite understood, but couldn’t bring yourself to leave. This sky will hover, dragging its belly over the too-dry land, and it will let fall a few drops of rain, or it won’t. I’ve tempted it by pedaling away from the house without rain gear, by hanging clothes out to dry, and now by settling on the patio with laptop and afternoon coffee, but it will not be provoked. Such are skies, sometimes.

Today, friends I will miss dearly and viscerally gathered around a coffee table laden with candy and pizza and beer for the World Cup final. Vuvuzelas make me hum in spite of myself, and I yell even though I don’t particularly care who wins this game.

A pork shoulder has been cooking since this morning, and the smell is too big for my house to hold. It wafts out the french doors and lingers on the patio, making sure I’ve noticed its richness.

Now the wind picks up, egging the sky on to drop its load of rain and be done with it. Dust and the last few wisps from the cottonwood trees are drawn to the mouth of my coffee mug. They make wee dimples on the liquid’s oily surface while I consider the peach tree, bent horizontal with its bounty. In days, I’ll have more peaches than I know what to do with; today I think about how they will taste and wait.

Today I’ve put away laundry, sold another piece of furniture, finished a sewing project. I haven’t read any more of the book I started, written much besides this bit, or spent more time in the kitchen than it took to put that pig into the crock pot. This is a perfect state of affairs. Because, regardless of how productive I have or have not been, right now I’m in a yard, in the wind, under an almost-rainy sky, and I’m smiling.

I know this much to be true: at the end of it all, maybe all that matters is how often you were able to smile, and make more smiles around you. What sort of person you are matters little; a label isn’t what will make me decide to invite you in for tea.

What kind of life do you like? What kind of life do you live?